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Vision After the Sermon (1888)
oil on canvas 73x92cm National Gallery of
Scotland, Edinburgh
Gauguin
arrived in Arles on the 20th of October, 1888, exactly eight months
after Vincent's arrival there. was a most remarkable creature. Vincent
had expected to find a suffering invalid, and instead he met the athletic giant
he had seen in Paris, one mass of muscle and sinew. He was a mixture of a
Parisian and an aborigine.. His exterior was cold, and yet he possessed a
touchingly soft heart, and he was a unique artist. You could guess that even
from his rapid grasp of the necessities of life. He would settle in an instant
what presented a labyrinth of problems to Vincent. was as practical as a
mart could be and his decisions were arrived at instantaneously. You saved no
end of time with such a man, a perfect treasure in the house, and it gave you a
sense of security. He was a most remarkable artist and a most extraordinary
friend. He was a trifle short with acquaintances, and laughed when Vincent
stressed a point of Roulin's or spoke of the kindliness of all these folk. None
the less everyone submitted to his will, and he seemed invariably to find the
right word on the right occasion. His habits were the habits of a ruler. In fact
his was a ruler's nature as every artist's should be; he was a Rubens.
Undoubtedly he would have made a good statesman, he knew all about politics, and
had his own opinion on Carnot, Clemenceau, Rochefort, Freycinet, Jules Ferry and
on parliamentary republics. He was also a distinguished financier, a faculty he
had presumably acquired in his earlier profession. His clear perception of every
detail enabled him to triumph over circumstances with ease. Money, to him, was
not a sinister power to be afraid of, for it obeyed his intelligence. You could
make as much money as you wanted, only it was rather boring sometimes to bother
about it. He had some justification for talking like that because Theo had just
sold one
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Gauguin Tahiti
by George T. M. Shackelford, Claire Freches-Thory (Hardcover
-- March 1, 2004)
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Noa Noa : The Tahitian Journal (Fine Art Series)
by Paul Gauguin (Paperback -- June 1, 1985)
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| 3. |
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Van Gogh and Friends Art Game: With Cezanne, Gauguin, Seurat,
Rousseau and Toulouse-Lautrec
by Wenda Brewster O'Reilly (Hardcover -- October 1, 2002)
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Gauguin's Intimate Journals
by Paul Gauguin, et al (Paperback -- January 1, 1997)
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Paul Gauguin 1848-1903: The Primitive Sophisticate (Basic
Art)
by Ingo F. Walther (Paperback -- November 1, 2000)
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Van Gogh and Friends: With Cezanne, Gauguin, Seurat,
Rousseau and Toulouse-Lautrec
by Wenda, Ph.D. O'Reilly, Mariele O'Reilly (Hardcover --
October 1, 2002)
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Gauguin
by Francoise Cauchin (Hardcover -- March 4, 2004)
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Gauguin's Skirt
by Stephen F. Eisenman (Paperback -- May 1, 1999)
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Gauguin by Himself (Artist by Himself)
by Belinda Thompson (Hardcover -- November 1, 1997)
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PAUL GAUGUIN
by David Sweetman
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| 11. |
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The Writings of a Savage
by Paul Gauguin, et al
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| 12. |
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Paul Gauguin: An Erotic Life
by Nancy Mowll Mathews (Hardcover -- October 1, 2001)
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| 13. |
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Six Gauguin Paintings Cards (Small-Format Card Books)
by Paul Gauguin (Paperback -- March 1, 1996)
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| 14. |
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Masters of Art: Gauguin (Masters of Art (Hardcover))
by Robert Goldwater (Hardcover -- April 15, 1983)
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Discoveries: Gauguin (Discoveries)
by Francoise Cachin (Paperback -- March 30, 1992)
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Noa Noa: The Tahiti Journal of Paul Gauguin
by Paul Gauguin, John Miller
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Gauguin (World of Art)
by Belinda Thomson (Paperback -- October 1, 1987)
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| 18. |
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Gauguin In Tahiti 2004 Wall Calendar
by Museum of Fine Arts Boston (Creator) (Paperback -- July
1, 2003)
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| 19. |
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Gauguin (Artistas Serie Mayor)
by Ingo F. Walther (Hardcover -- October 30, 2004)
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| 20. |
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Gauguin: Life, Art, Inspiration
by Yann Le Pichon, I. Mark Paris
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