| 1 |
Stonehenge |
1825 |
28 x 41 cm |
Salisbury & Wiltshire Museum |
watercolour |
Mouse-over picture: compare Turner/Constable/Carpenter |
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| 2 |
Rye, Sussex, |
1823 |
14.5 x 22.7 cm |
National Museum Wales |
watercolour |
One of 40 views titled 'Picturesque views on the Southern Coast of England' |
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| 3 |
England: Richmond
Hill on the Prince Regent's Birthday |
1819 |
180 x 334 cm |
Clore Gallery, London |
oil on canvas |
Turner paints this view in w/c many times, exhibited RA 1819 |
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| 4 |
Prudhoe Castle, Northumberland |
1825 |
29 x 41 cm |
British Museum |
watercolour |
One of a set of the finest w/c Turner ever made for 'Picturesque Views in England and Wales' |
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| 5 |
Saumus |
1829-30 |
28 x 42 cm |
British Museum |
watercolour |
engraved for The Keepsake Annual 1831. This painting once sold for £204 15s |
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| 6 |
Keswick Lake, Cumberland |
1835 |
27.5 x 43.5 cm |
British Museum |
watercolour |
view of Derwentwater with Lodore Falls, painted from Calfclose Bay. |
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| 7 |
Rome from the Vatican. |
1820 |
177 x 335 cm |
Tate Gallery, London |
oil on canvas |
Raffaelle Accompanied by La Fornarina, preparing his picture for the Decoration of the Loggia |
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| 8 |
Messieurs les voyageurs |
1829 |
54.5 x 47.7 cm |
British Museum |
watercolour |
rest of title: on return from Italy (par la diligence) in a snow drift upon Mount Tarrar - 22nd of January 1829 |
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| 9 |
Tancarville on the Seine |
1839 |
34.4 x 47.7 cm |
British Museum |
watercolour |
Turner refused attempts to purchase this picture for he hoped the Prince Regent would buy it |
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| 10 |
Caernarvan Castle |
1832-3 |
27.8 x 41.8 cm |
British Museum |
watercolour |
This w/c one of the most reproduced print of a Turner. |
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| 11 |
Crook of Lune, Looking towards Hornby Castle |
1817 |
28 x 41.7 cm |
Courtauld Institute of Art |
watercolour |
Made from an engraving in the 'History of Richmondshire' by Rev Thomas Whitaker |
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| 12 |
Marxbourg and Brugberg on the Rhine |
1820 |
29 x 45.8 cm |
British Museum |
watercolour |
Marksburg Castle situated at the junction of the Rhine and Lahn. 1817 Rhineland tour |
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| 13 |
Marly-sur-Seine |
1832 |
28.6 x42.5 cm |
British Museum |
watercolour |
This painting originally for 'Rivers of France', is used in Charles Heath's annual 'The Keepsake' |
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| 14 |
Landscape with
River and Bay in the Distance |
1835 |
94 x 124 cm |
Louvre Paris |
oil on canvas |
The first landscape brought by the Louvre |
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| 15 |
Florence from San Miniato |
1828 |
28.6 x 41.8 cm |
British Museum |
watercolour |
Engraved for 'The Keepsake' an annual that sold for a guinea each in 1827, 15,000
reproduced |
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| 16 |
Worchester |
1834 |
132 x 203 cm |
British Museum |
watercolour |
Worcester Cathedral on the busy River Severn gateway to new industrial north |
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| 17 |
Lake Nemi |
1840 |
29 X 44 cm |
British Museum |
watercolour |
The most classical of all Italian subjects, after such artist as Claude, Poussin and Dughet |
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| 18 |
Criccieth Castle, North Wales |
1836 |
29 x 42.5 cm |
British Museum |
watercolour |
used as engraving for 'England and Wales' engraver S. Fisher. Custom officers inspecting salvage |
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| 19 |
Portsmouth |
1825 |
16 x 24 cm |
Clore Gallery |
watercolour |
watercolor for 'Ports of England', published again after Turner's death as 'The
Harbour's of England' |
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| 20 |
Petworth Park: Tillington Church in the Distance |
1828 |
64.5 x 145.5 cm |
Clore Gallery |
oil on canvas |
painted for the Earl of Egremont, owner of Petworth House were Turner had a Studio |
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