Impressionist
Portraits
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Claude
Oscar Monet,
(1840-1926), French Impressionist painter, who
brought the study of the transient effects of natural
light to its most refined expression.
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Monet paints thick with
strange combination of colour in later life probably
because his eyesight was failing. He naturally was
having difficultly coming to terms with blindness,
every artist nightmare. he had a accurate memory for
colour and would get his stepdaughter to help with the
colour before applying it to the canvas.
Monet has crystallized a sound knowledge of the
theories of colour perception, intentionally using
warm nest to cool and yellow next to blue to vitalized
his painting |
Pierre
Auguste Renoir,
(1841-1919),
French Impressionist painter. He is recognized as one of the
greatest and most independent painters of his period, and is
noted for the brilliance of his colour and the intimate
charm of his work, which takes in a wide variety of
subjects. Unlike other Impressionists, he was as much
interested in painting the human figure or portraits as he
was in landscapes; unlike them, too, he did not subordinate
composition and form to a fascination with rendering the
effect of light.
Renoir was born
in Limoges on February 25, 1841. As a child he worked in a
porcelain factory in Paris, painting designs on plates and
other tableware. In 1862-1863 he studied painting formally
at the academy of the Swiss painter Charles Gabriel Gleyre
in Paris.
Renoir first
exhibited his paintings in Paris in 1864. One of the most
famous of all Impressionist works is Renoir's
Le Bal au Moulin de la Galette
(1876, Musée d'Orsay, Paris), an open-air scene of a café,
in which his mastery of figure painting and in representing
light is evident. Outstanding examples of his talents as a
portraitist are Madame Charpentier and Her Children
(1878, Metropolitan Museum of Art, New York) and Jeanne
Samary (1879, Musée d'Orsay).
Renoir fully
established his reputation with a solo exhibition held at
the Durand-Ruel Gallery in Paris in 1883. In 1887 he
completed a series of studies of a group of nude female
figures known as the Bathers (Philadelphia Museum of
Art). These reveal his extraordinary ability to depict the
lustrous, pearly colour and texture of skin and to impart
lyrical feeling and plasticity to a subject; they are
unsurpassed in the history of modern painting in their
representation of feminine grace. Many of his later
paintings also treat the same theme in an increasingly bold
rhythmic style. During the last 20 years of his life Renoir
was crippled by arthritis; although unable to move his hands
freely, he continued to paint by using a brush strapped to
his arm. Renoir died at Cagnes, a village in the south of
France, on December 3, 1919.
Other
notable paintings by Renoir include
La Loge (1874, Courtauld Institute Galleries,
London); Woman with Fan (1875) and The Swing
(1875), both in the Musée d'Orsay, Paris; The Luncheon of
the Boating Party (1881, Phillips Collection,
Washington, D.C.); and Vase of Chrysanthemums (1895,
Musée de Beaux-Arts, Rouen)—one of the many
still life of flowers and fruit he painted throughout
his life.



Camille Jacob
Pissarro,
(1830-1903), French Impressionist painter, whose
friendship and support provided encouragement for
many younger painters.
Pissarro was
born in St Thomas, Virgin Islands, and moved to Paris in
1855, where he studied with the French landscape painter
Camille Corot. At first associated with the Barbizon School,
Pissarro subsequently joined the Impressionists and was
represented in all their exhibitions. During the
Franco-Prussian War (1870-1871), he lived in England and
made a study of English art, particularly the landscapes of
J. M. W. Turner.
For a time in the 1880s Pissarro, discouraged with his work,
experimented with Pointillism; the new style, however,
proved unpopular with collectors and dealers, and he
returned to a free Impressionist style.
A painter of sunshine and the
scintillating play of light, Pissarro produced many quiet
rural landscapes and river scenes; he also painted street
scenes in Paris, Le Havre, and London. He was an excellent
teacher, counting among his pupils and associates
Paul and
Paul Cézanne, his son Lucien Pissarro, and the American
Impressionist Mary Cassatt. Pissarro was a prolific artist;
many of his paintings, watercolor, and graphics hang in
the Luxembourg Gallery, Paris.



Impressionism
Born out of the artists' desire to break away from the canons of the Academy, French Impressionist artists Manet, Monet, and Renoir explored contemporary subjects and scenes in new and experimental ways. Major contributions of the Impressionists include painting everyday life, they choice to paint en plein air, outdoors, instead of in the studio and most importantly, the fleeting effects of light on a particular subject. These "impressions" of light became the primary subject matter, especially for Monet. On the bridge between Realism and Impressionism is Edouard Manet. Born in Paris in 1832, he preferred a more classical approach to painting. However, his subject matter in paintings such as Le Dejeuner Sur L'herbe and Olympia gave him the reputation as a nonconformist. Manet places the Olympia we see in classical paintings in a contemporary setting rather than an allegorical one and she looks directly at the viewer. The refusal of the salon to show these paintings earned him the dubious title, "Father of Impressionism". Claude Monet is best known for his paintings of his garden at Giverny. In the 1890's he began to build a water garden around his house. There he painted his famous water lily paintings. By 1909 he had conceptualized an idea for a vast project of water lily canvases that would envelop an entire room. From 1916 almost until his death he worked on these canvases. He spoke of this endeavor, "In the night I am constantly haunted by what I am trying to realize. I rise broken with fatigue every morning." In these canvases perspective is reduced to the water lilies floating on the surface of the water. Pierre Auguste Renoir's painting, Le Moulin de la Galette is a study in impressionism. The scene is of working class people enjoying the leisure of a Sunday afternoon. The artist set up an easel right near the location and painted from life. Renoir was especially concerned with the play of light and shadow as they danced across the surface of an object. The fondness for impressionism exists today because these images capture forever the changing moments of time that we can all relate to in our contemporary world.