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The impressionist aim to capture the atmosphere of an instantaneous moment in time. The artist creates the effect of light on the surface of the subject using complimentary colour. Realizing that you cant reproduce natures effects in two dimension they result to using colour side by side (rather than mixed colour) to enhance the effect of a fleeting moment thus leaving the viewer to perceive colour in their mind

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Claude Oscar Monet, (1840-1926), French Impressionist painter, who brought the study of the transient effects of natural light to its most refined expression.

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Landscape at Rouelles , 1858 monet-haystack2.jpg (41101 bytes) Impression: Sunrise, 1872, Musee Marmottan, Paris Monet Waterlilies
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Monet by Himself

Monet paints thick with strange combination of colour in later life probably because his eyesight was failing. He naturally was having difficultly coming to terms with blindness, every artist nightmare. he had a accurate memory for colour and would get his stepdaughter to help with the colour before applying it to the canvas.

Monet has crystallized a sound knowledge of the theories of colour perception, intentionally using warm nest to cool and yellow next to blue to vitalized his painting

Pierre Auguste Renoir, (1841-1919), French Impressionist painter. He is recognized as one of the greatest and most independent painters of his period, and is noted for the brilliance of his colour and the intimate charm of his work, which takes in a wide variety of subjects. Unlike other Impressionists, he was as much interested in painting the human figure or portraits as he was in landscapes; unlike them, too, he did not subordinate composition and form to a fascination with rendering the effect of light.

Renoir was born in Limoges on February 25, 1841. As a child he worked in a porcelain factory in Paris, painting designs on plates and other tableware. In 1862-1863 he studied painting formally at the academy of the Swiss painter Charles Gabriel Gleyre in Paris.

Renoir first exhibited his paintings in Paris in 1864. One of the most famous of all Impressionist works is Renoir's Le Bal au Moulin de la Galette (1876, Musée d'Orsay, Paris), an open-air scene of a café, in which his mastery of figure painting and in representing light is evident. Outstanding examples of his talents as a portraitist are Madame Charpentier and Her Children (1878, Metropolitan Museum of Art, New York) and Jeanne Samary (1879, Musée d'Orsay).

Renoir fully established his reputation with a solo exhibition held at the Durand-Ruel Gallery in Paris in 1883. In 1887 he completed a series of studies of a group of nude female figures known as the Bathers (Philadelphia Museum of Art). These reveal his extraordinary ability to depict the lustrous, pearly colour and texture of skin and to impart lyrical feeling and plasticity to a subject; they are unsurpassed in the history of modern painting in their representation of feminine grace. Many of his later paintings also treat the same theme in an increasingly bold rhythmic style. During the last 20 years of his life Renoir was crippled by arthritis; although unable to move his hands freely, he continued to paint by using a brush strapped to his arm. Renoir died at Cagnes, a village in the south of France, on December 3, 1919.

Other notable paintings by Renoir include La Loge (1874, Courtauld Institute Galleries, London); Woman with Fan (1875) and The Swing (1875), both in the Musée d'Orsay, Paris; The Luncheon of the Boating Party (1881, Phillips Collection, Washington, D.C.); and Vase of Chrysanthemums (1895, Musée de Beaux-Arts, Rouen)—one of the many still life of flowers and fruit he painted throughout his life. 

Le Bal au Moulin de la Galette (1876, Musée d'Orsay, Paris)La Loge, 1874, Courtauld Institute, London (The Box)Renoir flowersRenoir, Boating    

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Camille Jacob Pissarro, (1830-1903), French Impressionist painter, whose friendship and support provided encouragement forPeasant Girl Drinking her Coffee, Oil on canvas, 65.3 x 54.8 cm, Institute of Chicago many younger painters. 

Pissarro was born in St Thomas, Virgin Islands, and moved to Paris in 1855, where he studied with the French landscape painter Camille Corot. At first associated with the Barbizon School, Pissarro subsequently joined the Impressionists and was represented in all their exhibitions. During the Franco-Prussian War (1870-1871), he lived in England and made a study of English art, particularly the landscapes of J. M. W. Turner. For a time in the 1880s Pissarro, discouraged with his work, experimented with Pointillism; the new style, however, proved unpopular with collectors and dealers, and he returned to a free Impressionist style.

A painter of sunshine and the scintillating play of light, Pissarro produced many quiet rural landscapes and river scenes; he also painted street scenes in Paris, Le Havre, and London. He was an excellent teacher, counting among his pupils and associates Paul and Paul Cézanne, his son Lucien Pissarro, and the American Impressionist Mary Cassatt. Pissarro was a prolific artist; many of his paintings, watercolor, and graphics hang in the Luxembourg Gallery, Paris.   

Stage CoachHaymakers Resting 1891, Oil on canvas, 65.4 x 81.3 cm  McNay Art  Institute, San Antonio, TexasGarden of Les Mathurins at Pontoise

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 Impressionism   Born out of the artists' desire to break away from the canons of the Academy, French Impressionist artists Manet, Monet, and Renoir explored contemporary subjects and scenes in new and experimental ways. Major contributions of the Impressionists include painting everyday life, they choice to paint en plein air, outdoors, instead of in the studio and most importantly, the fleeting effects of light on a particular subject. These "impressions" of light became the primary subject matter, especially for Monet. On the bridge between Realism and Impressionism is Edouard Manet. Born in Paris in 1832, he preferred a more classical approach to painting. However, his subject matter in paintings such as Le Dejeuner Sur L'herbe and Olympia gave him the reputation as a nonconformist. Manet places the Olympia we see in classical paintings in a contemporary setting rather than an allegorical one and she looks directly at the viewer. The refusal of the salon to show these paintings earned him the dubious title, "Father of Impressionism". Claude Monet is best known for his paintings of his garden at Giverny. In the 1890's he began to build a water garden around his house. There he painted his famous water lily paintings. By 1909 he had conceptualized an idea for a vast project of water lily canvases that would envelop an entire room. From 1916 almost until his death he worked on these canvases. He spoke of this endeavor, "In the night I am constantly haunted by what I am trying to realize. I rise broken with fatigue every morning." In these canvases perspective is reduced to the water lilies floating on the surface of the water. Pierre Auguste Renoir's painting, Le Moulin de la Galette is a study in impressionism. The scene is of working class people enjoying the leisure of a Sunday afternoon. The artist set up an easel right near the location and painted from life. Renoir was especially concerned with the play of light and shadow as they danced across the surface of an object. The fondness for impressionism exists today because these images capture forever the changing moments of time that we can all relate to in our contemporary world.
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